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X-WR-CALNAME:SEA Junction
X-ORIGINAL-URL:https://seajunction.org
X-WR-CALDESC:Events for SEA Junction
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DTSTART:20170101T000000
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DTSTART;TZID="Asia/Krasnoyarsk":20170806T160000
DTEND;TZID="Asia/Krasnoyarsk":20170806T180000
DTSTAMP:20260427T094334
CREATED:20170729T092443Z
LAST-MODIFIED:20170729T092443Z
UID:7062-1502035200-1502042400@seajunction.org
SUMMARY:Public Talk on Myanmar Glass Paintings by Catherine Raymond
DESCRIPTION: \nArt historian Catherine Raymond will give a public talk entitled “Reverse Glass Paintings: From Mandalay to Mae Hong Son and Back Again” on 6 August 2017 at 4-6PM at SEA Junction. Once very popular\, this art form originating from Europe\, carefully layering pigment on panes of glass—the backs of which were then made opaque—played a considerable role in the inter-Asian trade: both between Europeans and Asian courts\, and between China and Southeast Asia. \nThe talk will present the result of a continuing research conducted from 2014 to 2017 in Thailand and Burma\, which did explore first the interactions with Chinese diaspora artisans spreading this tradition throughout South and Southeast Asia for use as religious iconography. And\, more recently\, led towards exploring their role within the Dutch East India Company in seeking favor with the Siamese court as early as the seventeenth century. Focus will be on the hill city of Mae Hong Son along the Thai-Burmese border in Northeast Thailand\, where a unique treasure has been adorning three of the internal walls of Wat Chong Klang: a nineteenth century Shan Buddhist temple. It comprises nearly two hundred individual reverse glass paintings depicting the well known story of Prince Vessantara and the Life of the Buddha: still in-situ there since the mid 19th century\, when according to local legends\, the city was created and the temple was erected. Likewise\, local legend attributes the provenance of these reverse glass paintings as from Mandalay (Myanmar): as largely confirmed by more than hundred short captions and numbers identifying the scenes in nineteenth century Burmese style. Today this reverse glass paintings tradition continues in Myanmar for honoring the ritual to the 37 nats and in Northern Thailand for celebrating the Twelve-Year cycle with their iconic animals linked with venerated temples from Chiang Mai\, Chiang Rai\, Lamphun\, Lampang\, Phrae to Nan. \nProfesor Catherine Raymond has been archiving the celebrated assemblage of reverse glass paintings at Wat Chong Klang\, tracing their mid-19th century provenance to the artisanal workshops south of Mandalay\, and investigating the remaining creators there of reverse glass paintings and their evolving subject matter and market. She holds her PhD from La Sorbonne\, Paris. Former member of EFEO she is now teaching the Arts of Southeast Asia at Northern Illinois University\, USA. Since 2002 she is also the Director of the Center for Burma/Myanmar Studies and the curator of its unique and extensive collections: which indeed includes a wide range of splendid antique and contemporary reverse glass paintings. \n \nFor information/reservation for our events please email southeastasiajunction@gmail.com \nAbout SEA Junction\, OUR Venue on Southeast Asia  \nSEA Junction aims to foster understanding and appreciation of Southeast Asia in all its socio-cultural dimensions –from arts and lifestyles to economy and development. Conveniently located at Room 408 of the Bangkok Arts and Culture Centre or BACC (across MBK\, BTS National Stadium) SEA junction facilitates public access to knowledge resources and exchanges among students\, practitioners and Southeast Asia lovers. For more information see www.seajunction.org and join the Facebook group https://www.facebook.com/groups/1693055870976440/ \nShare on FacebookTweetFollow usSave
URL:https://seajunction.org/event/public-talk-myanmar-glass-paintings-catherine-raymond/
LOCATION:SEA Junction\, Room 408\, BACC\, 939 Rama 1 Rd\, Pathum Wan\, Khet Pathum Wan\, Krung Thep Maha Nakhon 10330 Bangkok\, Thailand\, Bangkok\, Thailand
CATEGORIES:Event
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