BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//SEA Junction - ECPv4.9.4//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:SEA Junction
X-ORIGINAL-URL:https://seajunction.org
X-WR-CALDESC:Events for SEA Junction
BEGIN:VTIMEZONE
TZID:"Asia/Krasnoyarsk"
BEGIN:STANDARD
TZOFFSETFROM:+0700
TZOFFSETTO:+0700
TZNAME:+07
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211028
DTEND;VALUE=DATE:20211029
DTSTAMP:20260516T152158
CREATED:20211021T155654Z
LAST-MODIFIED:20211021T155654Z
UID:19112-1635379200-1635465599@seajunction.org
SUMMARY:(Re)contextualising the Dong Duong Buddhist art gallery at the Museum of Cham Sculpture in Da Nang
DESCRIPTION:Abstract\nConstructed in 875 CE under the reign of Indravarman II\, the Đồng Dương Monastery was once the largest Buddhist sites of the Champa kingdoms. Excavations conducted by the École française d’Extrême-Orient in the early 20th century unearthed numerous Buddhist artefacts dating to around the 9th and 10th centuries\, which are today exhibited at many museums in Vietnam and abroad. This lecture critically examines the Đồng Dương Buddhist gallery at the Museum of Cham Sculpture in Da Nang. It argues that the current display is an attempt to re-contextualize the original landscape of the Đồng Dương monastery and the significance of the Đồng Dương Buddhist art tradition. However\, due to the employment of modern “museological devices”\, insufficient interpretation and the gaps caused by absent objects it is argued that what results is a de-contextualized display which is largely inaccessible to museum viewers. My analysis of the display also aims to provide a context within which we can see problems in the curation of this gallery from the colonial to the post-colonial period. \nSpeaker Biography\nDuyen Nguyen is a PhD candidate in the Department of History of Art and Archaeology at the School of Oriental and African Studies (SOAS)\, University of London. She is also a staff member of the Museum of Cham Sculpture in Vietnam. Her research focuses on the sculptural art of Champa and other museological issues. \nDiscussant Biography\nRie Nakamura received a Ph.D. from the Department of Anthropology at the University of Washington. She was a program officer at the Toyota Foundation. She taught at the School of International Studies at the University Utara Malaysia. She is currently a visiting researcher at the Asian Cultures Research Institute in Toyo University\, Japan. \nThis event is part of the Decolonising Curating and the Museum in Southeast Asia lecture series. It is free and open to the public. If you would like to attend the event\, please register via Zoom at https://soas-ac-uk.zoom.us/webinar/register/WN_pR_pEb1MTE2QO-loec_Q0Q \nSource: https://www.soas.ac.uk/cseas/events/seminars/28oct2021-recontextualising-the-dong-duong-buddhist-art-gallery-at-the-museum-of-cham-sculpture-in-d.html \nShare on FacebookTweetFollow usSave
URL:https://seajunction.org/event/recontextualising-the-dong-duong-buddhist-art-gallery-at-the-museum-of-cham-sculpture-in-da-nang/
LOCATION:Online
CATEGORIES:Courses
END:VEVENT
END:VCALENDAR