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X-WR-CALNAME:SEA Junction
X-ORIGINAL-URL:https://seajunction.org
X-WR-CALDESC:Events for SEA Junction
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DTSTART:20240101T000000
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DTSTART;TZID="Asia/Krasnoyarsk":20240613T100000
DTEND;TZID="Asia/Krasnoyarsk":20240716T200000
DTSTAMP:20260428T022144
CREATED:20240601T113012Z
LAST-MODIFIED:20240601T113012Z
UID:25090-1718272800-1721160000@seajunction.org
SUMMARY:Photo Exhibition “Who Cares? COVID-19 Divides in Southeast Asia”
DESCRIPTION:In mainland Southeast Asia\, the pandemic´s human toll initially was limited compared to that in peninsular Southeast Asia and to global figures. However\, the image of a region largely unscathed by COVID-19 began to change by the end of 2020\, when new strains of the virus emerged. By the middle of 2021\, the Delta variant had turned Southeast Asia into a global center of the pandemic. The health and socioeconomic damage which COVID-19 inflicted on the countries of this region\, together with the containment measures which they began to apply more strictly—and at times coercively—have had huge and unfair consequences. \nOverall\, the regional economy contracted and registered the largest drop since the 1997 Asia financial crisis\, resulting in increased precarity of informal workers\, women and marginalized groups. Taken aback by the scale of the crisis\, societies were challenged to protect the most vulnerable in their midst. This largely because of inadequate or non-existent assistance schemes for informal workers and migrants and those officially considered outside of the labor market\, including people with disabilities and the elderly. As government support was far from sufficient and often inequitably distributed\, individuals\, communities and non-governmental and non-profit organizations stepped in to try to fill these gaps by distributing food and aid as well as providing health services\, family care and funeral services to those most in need. \nPhotographers from six countries—Edy Susanto for Indonesia\, Hasnoor Hussain for Malaysia\, Ta Mwe for Myanmar\, Kimberly dela Cruz for the Philippines\, Grace Baey for Singapore\, and Sayan Chuenudomsavad for Thailand—highlight the pandemic’s disproportionate health and economic impacts on disadvantaged people\, which still can be felt to this day. The entrenched wealth and welfare inequities laid bare by the pandemic demand structural reforms if we are to foster more just societies. \nThe exhibition\, curated by Sayan Chuenudomsavad and Rosalia Sciortino for SEA Junction\, was first exhibited at the Bangkok Art and Culture Centre (BACC) on 17 October to 5 November attracting wide public attention. With the exception of Myanmar\, selected photos from the countries’ documentation also served to illustrate the book\, “Who Cares? COVID-19 Social Protection Response in Southeast Asia”\, edited by Rosalia Sciortino and published by Silkworm Books. The exhibition as well as the book´s production (both in English and Thai) and respective launches\, are part of a regional research project carried out during the COVID-19 pandemic in 2021-2022. This was conducted by the Institute for Population and Social Research (IPSR) of Mahidol University in collaboration with SEA Junction and funded by the National Research Council of Thailand (NRCT) under the Integrated Strategic Research Program on Social Sciences: Khon Thai 4.0. \n \nPhotographers: \nEdy Susanto is a documentary photographer born in Jakarta. He completed a special training on photo journalism at Antara Journalistic Photo Gallery in 2000 and has attended a number of training and workshop in photography\, including the one in which he was selected to join a photography workshop mentored by German photographer winning in a World Press Photo Contest\, Peter Bialobrezky. See https://www.edy-susanto.com/. \nGrace Baey is a photographer and filmmaker based in Singapore. Trained as a human geographer\, she has a keen eye and sensitivity for crafting human-interest stories that are authentic\, emotional and thoughtful. She’s especially interested in issues of migration and mobility\, gender\, identity\, and place. Her personal work focuses on queer and gender identity in Southeast Asia. Member of @womenphotograph @diversifyphoto @authoritycollective @equallens. See further www.gracebaey.com \nHasnoor Hussain picked up the camera in his early 20s and has been a photographer ever since. In March 2017\, he was among the earliest staff starting a portal The Malaysia Insight and continuing reporting in visual form; still picture and video. He is currently photographer at Reuters Malaysia. See http://www.hasnoorhussain.com/. \nKimberly dela Cruz is an independent photographer based in Manila. While studying Journalism\, she became an activist and started carrying a camera in protests. She began her career as a photo correspondent for the Philippine Daily Inquirer in 2013 before transitioning to documentary photography and working for different publications. See https://www.kimberlydelacruz.com/. \nSayan Chuenudomsavad has been working as a photojournalist for several years\, reporting and taking photos on any rising challenges of development\, of the environment\, and of any social changes which take place in the Mekong region. Diverse and vibrant\, his images capture everyday people living alongside the challenges of development\, climate change and social changes in the region. See https://sayanchuenudomsavad.wordpress.com/. \nTa Mwe is a Burmese documentary photographer with experience covering a wide range of political and social stories and events throughout Myanmar. After many years working for national and international publications and organizations as a photographer\, videographer and video editor\, Ta Mwe’s recent work has focused on analogue still photography\, covering first the COVID-19 crisis and then the country’s anti-coup protests. Due to the political situation in Myanmar the name Ta Mwe is an alias and this bio has been heavily redacted to remove any identifying information. See further https://tamwe.link \nOrganizers: \nSEA Junction\, established under the Thai non-profit organization Foundation for Southeast Asia Studies (ForSEA)\, aims to foster understanding and appreciation of Southeast Asia in all its socio-cultural dimensions\, from arts and lifestyles to economy and development. Conveniently located at Room 407-8 of the Bangkok Arts and Culture Center or BACC (across MBK\, BTS National Stadium)\, SEA Junction facilitates public access to knowledge resources and exchanges among students\, practitioners and Southeast Asia lovers. For more information\, see www.seajunction.org\, join the Facebook group: http://www.facebook.com/groups/1693058870976440/ and follow us on Twitter and Instagram @seajunction \nInstitute for Population and Social Research (IPSR)\, Mahidol University  \nIPSR was established in 1971 and has become one of Asia’s premier population research and training hubs. The Institute conducts research and provides training in population\, sexual and reproductive health and development with a focus on Thailand and on neighbouring countries in Southeast Asia\, with the ultimate goal of improving the quality of life for all. For more information\, see https://ipsr.mahidol.ac.th. \nBangkok Art and Culture Centre (BACC) has been providing the City of Bangkok with an art meeting place for the past 15 years\, reaching out to people with its highly varied exhibitions\, and diverse arts and educational programming. The BACC sees further needs for making available more of such art space in the city other than the one centrally located. Now teaming up with Seacon Square\, such venture is happening: a space for dialogue between artists and audiences and communities all round\, promoting art to become part of everyday life for people of all generations\, in this case specifically for the people living on the eastern side of Bangkok. BACC pop-up is located at MunMun Art Destination (MMAD) 2nd and 3rd floor\, Seacon Square\, Srinakarin. For more information\, see https://en.bacc.or.th/. \n
URL:https://seajunction.org/event/photo-exhibition-who-cares-covid-19-divides-in-southeast-asia-2/
LOCATION:BACC Pop up Gallery 1\, 3rd Floor\, MunMun Art Destination (MMAD)\, Seacon Square Srinakarin
CATEGORIES:Event
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DTSTART;VALUE=DATE:20240615
DTEND;VALUE=DATE:20240716
DTSTAMP:20260428T022144
CREATED:20240504T071702Z
LAST-MODIFIED:20240617T140442Z
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SUMMARY:Open Call Cartoons and Comics Competitions “Cartooning the ASEAN Way of Non-Interference and Consensus”
DESCRIPTION:SEA Junction\, in collaboration with Asia Justice and Rights (AJAR)\, invites cartoonists\, comics creators\, artists and arts collectives from countries in Southeast Asia to reflect on the future of the role of ASEAN in addressing current and emerging issues in the region. \nThe COVID-19 pandemic\, the coup in Myanmar and autocratic changes in other member states\, unresolved geo-political tensions and recessionary pressures have brought attention towards ASEAN\, prompting crucial questions on whether it is fulfilling or failing to fulfil its role\, and have put a spotlight on regional development and interaction.[1] With growing questions on whether ASEAN is indeed people-oriented as it claims in its Charter and “for whom” and whose interests ASEAN is acting\, there is an urgency to promote public discussion on the so-called “ASEAN Way” and particularly on the two core institutional principles of “Consensus” and “Non-Interference”. \nBoth concepts are today under discussion. Consensus has been seen as playing a positive role in fostering unity among the diverse members\, yet it has often delayed response\, with some arguing in favour of changing the rule to a majority one to enhance effectiveness. Likewise\, the Non-Interference principle is deemed to have given a positive contribution to ensure unduly interferences and promote respect “for the independence\, sovereignty\, equality\, territorial integrity\, and national identity of all nations” as stated in ASEAN’s Treaty of Amenity. However\, amid a worsening human rights crisis in the region especially in Myanmar and emerging transnational threats\, ASEAN has failed to provide protection of its people and ensure the respect of their human rights by appealing to this same principle. \nThe here announced competition “Cartooning the ASEAN Way of Non-Interference and Consensus” aims to enlist the creativity of cartoonists and comics creators to promote a critical understanding of ASEAN and its Consensus and Non-Interference principles.  Cartoons and comics combine textual and visual elements to express ideas and create narratives to communicate ideas\, balancing humour with seriousness. We trust that in this way they can draw attention to regional governance and trigger a conversation on steps needed in realizing a people-oriented ASEAN. \nTheme \n\nReflect on the role of ASEAN in addressing current and emerging issues\nDiscuss ASEAN principles of Consensus and/or Non-Interference\nExamine implications of the “ASEAN Way”\n\nRequirements \n\nCartoons and comics have to be original\nIf in local language\, translation in English ought to be provided\nFor comics (storyboards) there is a 1-page minimum length\nMaximum submissions of 3 artworks per person\nNo use of AI Generated Art is allowed and plagiarism of existing work is clearly prohibited.\n\nEligibility \nOpen to cartoonists\, comics creators\, artists and art collectives in Southeast Asia  \nCopyright \nCopyright of all the content submitted for this competition remains with the respective entrants\, with the organizers having the licence to use the content for their activities and social media. \nPrizes \nFor each of the two categories (cartoons and comics or storyboards) the following prizes will be awarded\, summing up to a total of six awards: \nComics (Storyboards)          Cartoons \n1st Prize: USD 450                 1st Price: USD 325         \n2nd Price: USD 350                2nd Prize: USD 225 \n3rd Price: USD 250                 3rd Price: USD 125 \n  \nSelected artworks will be exhibited in a curated exhibition at the Bangkok Arts and Culture Center (BACC) in Bangkok in later 2024 and published on our website and across our social media platforms. \nEvaluation Criteria \nEntries will be judged based on the following criteria: \n\nRelevance to the theme\nInnovativeness\nCreativity\nAnalytical clarity\nAesthetic value\n\nSubmission: \nInitial deadline for submission\, 15 June 2024\, was extended. Send your submission to info@seajunction.org no later than 15 July 2024 \nAlongside your submission\, please provide your name\, country\, occupation/affiliation (if applicable) and contact details. \nFor more information or inquiries\, please contact us at info@seajunction.org or via our social media channels. \n  \n \nOrganizers: \nSEA Junction\, established under the Thai non-profit organization Foundation for Southeast Asia Studies (ForSEA)\, aims to foster understanding and appreciation of Southeast Asia in all its socio-cultural dimensions- from arts and lifestyles to economy and development. Conveniently located at Room 408 of the Bangkok Arts and Culture Center or BACC (across MBK\, BTS National Stadium)\, SEA Junction facilitates public access to knowledge resources and exchanges among students\, practitioners and Southeast Asia lovers. For more information see www.seajunction.org\, join the Facebook group: http://www.facebook.com/groups/1693058870976440 and follow us on Twitter and Instagram @seajunction \nIn collaboration with: \nAsia Justice and Rights (AJAR) \nAJAR is a non-profit organization\, based in Jakarta\, Indonesia\, whose aim is to contribute to the strengthening of human rights and the alleviation of entrenched impunity in the Asia-Pacific region. Its work focuses on countries involved in transition from a context of mass human rights violations to democracy\, where it strives to build cultures based on accountability\, justice and a willingness to learn from the root causes of mass human rights violations to help prevent the recurrence of state-sanctioned human rights violations. For more information\, see www.asia-ajar.org. \n
URL:https://seajunction.org/event/open-call-cartoons-and-comics-competitions-cartooning-the-asean-way-of-non-interference-and-consensus/
LOCATION:SEA Junction\, 4th floor\, BACC
CATEGORIES:Event
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DTSTART;TZID="Asia/Krasnoyarsk":20240615T170000
DTEND;TZID="Asia/Krasnoyarsk":20240615T190000
DTSTAMP:20260428T022144
CREATED:20240601T055618Z
LAST-MODIFIED:20240613T045459Z
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SUMMARY:WeMend:  Stitching Connections Talk
DESCRIPTION:Talk and Workshops by Womanifesto – International Art Exchange in collaboration with SEA JUNCTION \nWeMend is an ongoing social and workshop space inviting visitors and community groups to join in the ongoing activity to sew/embroider/patch/upcycle pieces of fabric together. \nBackground  \nWeMend is a project by Womanifesto – International Art Exchange (Thailand) and was first installed for the exhibition Womanifesto: Flowing Connections at Bangkok Art & Culture Center from September to December 2023. As a continuation\, we are inviting the setting up of further workshops in various locations\, such in Thailand (Bangkok and Udon Thani)\, Baroda (India)\, Tokyo (Japan)\, Sydney (Australia)\, Herzfelde (Germany\, Dundee (UK)\, and within women’s community spaces in the UAE.  In Bangkok\, it is organized in collaboration with SEA Junction at its public venue. \nThe cloths coming together in various sites will be merged as one continuous piece bringing all the fragments together\, and installed as a shelter-like structure in exhibition spaces that Womanifesto is invited to\, where visitors are also invited to continue attaching patches and make the fabric grow\, starting with Sharjah Biennale 16 in 2025. \nEngaging in this meditative hands-on activity with sewing at its core\, is to nurture linkages with each other and in turn with all that surrounds us. In our fragmented times\, WeMend offers time and space to slow down – to commune\, converse\, repair and connect – individually and collectively contemplate on both material and non-materials matters in our lives. \nActivities are held at SEA Junction\, 4th Floor\, BACC and consist of the following \nTalk \n15 June 2024\, 5-7PM \nPanel Discussion with \n\nPenwadee Nophaket Manont\, Head of Exhibition Department & Chief Curator\, BACC\nand Womanifesto Artist.\nJamilah Preenun Nana\, Independent Curator and Womanifesto Artist\nLawan Jirasuradej\, Film Maker and Womanifesto Artist\n\n \nWorkshops \n16 June 2024\, 11AM -7PM\n29 June 2024\, 11AM -7PM\n6 July 2024\, 11AM -7PM \nWe invite you to: \n\nCome at your own convenience at the dates and times below.\nSewing material is provided\, but you can bring your own fabrics too.\nNo skills are required\, we will patch\, sew\, embroider a larger connected piece together\nJust create and have fun!\nFeel free to tell your family and friends and ask them to join.\n\nIf you wish to bring this activity further into your communities and be part of WeMend\, please contact Womanifesto at: womanifestoart@gmail.com \nFor more information\, please email: info@seajunction.org or phone/wa: +66970024140 \nNB: The events are free\, but donations are welcome to support SEA Junction activities. \nOrganizations: \nWomanifesto was established by a group of women artists\, writers and activists with the aim of hosting gatherings every two years of women artists from Asian and other countries. It is one of the first feminist collectives of its kind to have emerged and developed from Southeast Asia\, and continues to provide significant opportunities for women artists and cultural practitioners to connect and re-connect. \nStarting with presenting group exhibitions in 1997 and 1999\, Womanifesto instantly took on a life of its own and transformed into a meeting and sharing point based on friendship and care. While the original aim was to present exhibitions to strengthen links between and the visibility of women artists from the region and beyond\, that aim developed to include exploration and valuing of local cultures including artisanship\, to explore links between \ntraditional and contemporary traditional and contemporary art practices. It has expanded its horizon to various project based workshops\, residency programmes\, web-based\, email based art publication\, symposiums\, seminars\, educational programmes\, working with artists\, artisans\, and schools  in rural areas. Adopting fluidity as a strategy\, Womanifesto developed projects to consider and open up diverse ways of doing by not setting final outcomes but supporting for things to evolve organically\, with the focus also being on exchange and passing on of knowledge down the generations. www.womanifesto.com \nOrganizer:  \nSEA Junction\, established under the Thai non-profit organization Foundation for Southeast Asia Studies (ForSEA)\, aims to foster understanding and appreciation of Southeast Asia in all its socio-cultural dimensions\, from arts and lifestyles to economy and development. Conveniently located at Room 407 and 408 of the Bangkok Arts and Culture Center or BACC (across MBK\, BTS National Stadium)\, SEA Junction facilitates public access to knowledge resources and exchanges among students\, practitioners and Southeast Asia lovers. For more information\, see www.seajunction.org\, join the Facebook group:  http://www.facebook.com/groups/1693058870976440/ and follow us on Twitter and Instagram @seajunction. \n
URL:https://seajunction.org/event/wemend-stitching-connections-talk/
LOCATION:SEA Junction\, 4th floor\, BACC
CATEGORIES:Event
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