As SEA Junction is entering its fifth year of operation and our activities expand, there is a need to add a financial and administration staff who is able to work in a flexible manner in a small office with a multicultural environment and a variety of needs.
This special initiative provides a platform for the creative use of visual documentation and art to advocate for environmentally and socially friendly measures to save the Mekong River.
The new initiative has been launched by SEA-Junction and its partners to capture the other side of the story in times of the Coronavirus pandemic, with various art forms being called for; from photo sets to art essays.
Dear Partners and Friends of SEA Junction As you may know, SEA Junction has been closed since 21 March and we are waiting for 1 June to see if the government’s measures to curb the Covid-19 will allow our host institution, the Bangkok Arts and Culture Center or BACC to function. As a result, all…
Dear Friends of SEA-Junction Please note that to prevent possible transmission of the COVID19 virus, we will be canceling all events at SEA Junction staring tomorrow and until further notice . SEA Junction will remain open, but only as a reading room and only for few people at the time. We believe that by applying…
Dear Partners and Friends of SEA Junction, On behalf of all of us at SEA Junction, I would like to thank you for your support through 2019 and wish you a very joyful and successful 2020! In December, we closed the year with a range of diverse activities. Under the patronage of the Italian Embassy…
In addition to its functioning as a reading room, SEA Junction conducts public activities to foster understanding and appreciation of Southeast Asia in all its realities and socio-cultural dimensions
Textiles are inextricably linked to our lives, essential to our survival and powerful signifiers of our existence.
Last month, SEA Junction participated in the ASEAN People Forum (APF) to profile our organization and activities and we were impressed with the vibrancy of civil society in the face of dismissal by most governments in the region.
Driving down a dirt road through a rustic Isaan village, one sees concrete houses with garages and satellite dishes strewn all over the vast paddy field. If they don’t belong to the village headman or lotto winner, they must be owned by a mia farang.
